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He turned back toward the house, then paused as the mellow "whirt-o-whirt" of a quail sounded from the sumach which bordered the meadow across the road. "Old Cock quail," he cautioned softly, "I wouldn't give that covey-call too often if I was you. Joe Scraff jest might hear you. Only note safe fer you to whistle is 'Bob White'—but you won't be whistlin' that till spring comes ag'in.",

"One night, two years after Roger Stanhope died, old Scroggie got drunk an' would have froze to death if Frank hadn't found him an' carried him into his own home. Scroggie cursed Frank fer it when he came round but Frank paid no attention to him. After that, Scroggie—who was too sick to be moved—got to takin' long spells of quiet. He would jest set still an' watch Frank nights when the two was alone together.,

"Yep, an' this here animal settin' in that gap, what you think it is?",

Sir William now rose from the table and went to an armchair at the open window, upon the seat or ledge of which stood a jar of tobacco, some clay pipes, and a little machine for firing a match dipped in brimstone, a very ingenious contrivance as old as the days of the second Charles: namely, a little pistol-shaped fire-maker whose trigger struck a full and brilliant spark from the flint and kindled the tinder. He filled his pipe and lighted it, and sat in conversation with his son, in whom the particular humour or mood would have been extremely hard to settle by the most sagacious of critical observers. He was speedy in answering his father, and his language did not show much abstraction of mind; but even the Admiral noticed that there was an undercurrent of thought in his son which was pursuing a very different course from the stream as it appeared on the surface.

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"Oh." Billy took hold of his arm, "Then them snakes an' man-eatin' birds you've been seein' are your own business, too; an' since you've been ninny enough to stray into this shanty, I'm goin' to put you back in it an' see that you stay in it.",

The Admiral drummed with his fingers upon the table, looking down.,

"What's a reward?",

If he doubted her insanity at all his suspicion had no stiffer ground than the shallow sand on which reposed his hope[Pg 327] that she was acting. Throughout this passage he did not think to consider her as the child of a great actress. To him she had always been a gentle, sweet, undemonstrative girl, ingenuous in speech, kind, charitable, beloved by the poor, one whose pursuits were amiable and pure. She was nimble and poetical with her pencil. She sang pretty songs prettily. Her beauty informed with a colour of its own the melodies her fingers evoked from the keys or strings of the instruments she touched. He could not think of her as having the talents of an actress, or even the tastes of one. He had never heard of her taking a part in a performance above a charade. Nothing, therefore, but madness or an extraordinary dramatic genius which it was impossible for him to think of her as possessing, could create those parts which she had enacted before him in a manner so immoderately life-like, so absolutely in unison with what he himself could conceive of the behaviour of madness, that deep in his soul might be found the conviction that she had lost her reason, and that his passionate, unprincipled love was the cause of it.